主演:Artúr Somlay Miklós Gábor Zsuzsa Bánki
Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the stre Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends? The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.
To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.
At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences: an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to "formalism for its own sake" have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.
Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.
主演:杰克·崔,阿尔玛·马丁内斯,金俊成,Tiffany Chu,Mark Krenik,Alfredo Tavares,Crystal Lee,Tania Verafield,Bridget Wilmes,Courtney Bandeko,Octavio Pizano,Trinecia Moore-Pernell,Virgo Phillips,Heather Alexander,Georgina Tolentino,Brinn Abbate,Jasmine Reid
主演:摩根·弗里曼,马特·达蒙,托尼·戈罗奇,帕特里克·莫佛肯,马特·斯特恩,朱利安·刘易斯·琼斯,阿卓艾·安多,玛格丽特·惠特利,蕾乐蒂·库马洛,帕特里克·利斯特,佩妮·唐尼,西邦吉莱·诺吉拉,邦妮·汉娜,谢克斯·迈科,路易斯·米纳尔,罗宾·史密斯,大卫·杜卡斯,格兰特·斯旺比,斯科特·伊斯特伍德
主演:罗伯特·德尼罗,阿尔·帕西诺,乔·佩西,安娜·帕奎因,杰西·普莱蒙,哈威·凯特尔,斯蒂芬·格拉汉姆,鲍比·坎纳瓦尔,杰克·休斯顿,阿莱卡萨·帕拉迪诺,凯瑟琳·纳杜奇,多米尼克·隆巴多兹,雷·罗马诺,塞巴斯蒂安·马尼斯科,杰克·霍夫曼,保罗·本-维克托,斯蒂芬妮·库尔特祖巴,莎伦·菲弗,路易斯·坎瑟米,茵迪亚·恩能加,J.C.麦肯泽,巴里·普赖默斯,吉姆·诺顿,盖里·巴萨拉巴,玛格丽特·安妮·佛罗伦斯,约翰·斯库蒂,约翰·塞纳迭姆博,大卫·阿隆·贝克,桃乐丝·麦卡锡,凯文·凯恩,加里·帕斯托雷,约瑟夫·罗素
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主演:米歇尔·道克瑞,休·博纳维尔,伊丽莎白·麦戈文,玛吉·史密斯,艾美达·斯丹顿,塔彭丝·米德尔顿,马修·古迪,凯特·菲利普斯,艾伦·里奇,琼安·弗洛加特,索菲 麦希拉,劳拉·卡尔迈克尔,斯蒂芬·坎贝尔·莫尔,爱丽丝·麦卡锡,杰拉丁妮·詹姆斯,马克斯·布朗,马克·阿蒂,拉奎尔·卡西迪,罗伯·詹姆斯-克里尔,吉姆·卡特,哈利·海顿-佩顿,菲利斯·洛根,布兰登·柯伊尔,佩内洛普·威尔顿,苏珊·林奇,大卫·海格,西蒙·琼斯,莱斯利·尼科尔,凯文·道尔,詹姆斯·卡特莱特,安德鲁·哈维尔,佩里·菲茨帕特里克
主演:刘冠廷,张甯,李雪,钟政均
主演:埃里克斯·肯德里克,莎丽·里格比,普里西拉·C·夏勒,本·戴维斯,霍莉·A·莫里斯,肯德里克·克罗斯,雅琳·赖特-汤普森,卡梅伦·阿内特,杰克·斯特纳,伊丽莎白·贝卡,米卡·林恩·汉森,格伦·博尔斯,米凯·霍姆斯,大卫·布莱米
主演:迈克尔·伊斯坎德, 史蒂芬·朗, 奥德·菲尔, 阿耶莱特·祖里尔, 路易斯·费雷拉, 马丁·福特, 阿里·苏莱曼, 雅莉·托珀尔·玛格丽斯, 阿什拉夫·巴姆, 伊桑·卡伊, Davood Ghadami, Nimo Hochenberg, Aury Alby, 英迪·刘易斯, Bernardo Tuccillo, Darien Martin
主演:Artúr Somlay,Miklós Gábor,Zsuzsa Bánki
主演:亨弗莱·鲍嘉,沃尔特·休斯顿,提姆·霍尔特,布鲁斯·班尼特,巴顿·麦克莱恩,Alfonso Bedoya,Arturo Soto Rangel,Manuel Dondé,罗伯特·布莱克,Guillermo Calles,Roberto Cañedo,Spencer Chan,杰奎琳·达利娅,拉尔夫·邓恩,帕特·弗莱厄蒂,马丁·加拉拉加,杰克·霍尔特,约翰·休斯顿,Julian Rivero,杰伊·丝沃黑尔,Ray Spiker,Harry J. Vejar,Clifton Young
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主演:琼·芳登,伯特·兰卡斯特,罗伯特·牛顿
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主演:原节子,佐分利信,杉村春子,神田隆,西村青児,高松荣子,殿山泰司
主演:约翰·霍华德·戴维斯,罗伯特·牛顿,亚历克·吉尼斯,凯·沃尔什,拉尔夫·杜鲁门
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影视资讯2024-05-07
影视资讯2024-05-07
影视资讯2024-05-07
影视资讯2024-05-07
影视资讯2024-05-07
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