导演:居伊·德波
主演:未知
Voice 1 (male "professional announcer" type): This neighborhood(1) was made for the wret Voice 1 (male "professional announcer" type): This neighborhood(1) was made for the wretched dignity of the petty bourgeoisie, for respectable occupations and intellectual tourism. The sedentary population of the upper floors was sheltered from the influences of the street. This neighborhood has remained the same. It was the strange setting of our story, where a systematic questioning of all the diversions and works of a society, a total critique of its idea of happiness, was expressed in acts.
These people also scorned "subjective profundity". They were interested in nothing but an adequate and concrete expression of themselves.
Voice 2 (Debord, monotone): Human beings are not fully conscious of their real life - usually groping in the dark; overwhelmed by the consequences of their acts; at every moment groups and individuals find themselves confronted with results they have not wished.
Voice 1: They said that oblivion was their ruling passion. They wanted to reinvent everything each day; to become the masters and possessors of their own lives.
Just as one does not judge a man according to the conception he has of himself, one cannot judge such periods of transition according to their own consciousness; on the contrary, one must explain the consciousness through the contradictions of material life, through the conflict between social conditions and the forces of social production.
The progress achieved in the domination of nature was not yet matched by a corresponding liberation of everyday life. Youth passed away among the various controls of resignation.
Our camera has captured for you a few aspects of a provisional microsociety.
The knowledge of empirical facts remains abstract and superficial as long as it is not concretized by its integration into the whole "” which alone permits the supersession of partial and abstract problems so as to arrive at their concrete essence, and implicitly at their meaning.
This group was on the margins of the economy. It tended toward a role of pure consumption, and first of all the free consumption of its time. It thus found itself directly engaged in qualitative variations of everyday life but deprived of any means to intervene in them.
The group ranged over a very small area. The same times brought them back to the same places. No one went to bed early. Discussion on the meaning of all this continued...
Voice 2: "Our life is a journey "” In the winter and the night. "” We seek our passage..."�
Voice 1: The abandoned literature nevertheless exerted a delaying action on new affective formulations.
Voice 2: There was the fatigue and the cold of the morning in this much-traversed labyrinth, like an enigma that we had to resolve. It was a looking-glass reality through which we had to discover the potential richness of reality.
On the bank of the river evening began once again; and caresses; and the importance of a world without importance. Just as the eyes have a blurred vision of many things and can see only one clearly, so the will can strive only incompletely toward diverse objects and can completely love only one at a time.
Voice 3 (young girl): No one counted on the future. It would never be possible to be together later, or anywhere else. There would never be a greater freedom.
Voice 1: The refusal of time and of growing old automatically limited encounters in this narrow, contingent zone, where what was lacking was felt as irreparable. The extreme precariousness of the means of getting by without working was at the root of this impatience which made excesses necessary and breaks definitive.
Voice 2: One never really contests an organization of existence without contesting all of that organization's forms of language.
Voice 1: When freedom is practiced in a closed circle, it fades into a dream, becomes a mere representation of itself. The ambiance of play is by nature unstable. At any moment "ordinary life"� can prevail once again. The geographical limitation of play is even more striking than its temporal limitation. Any game takes place within the contours of its spatial domain. Around the neighborhood, around its fleeting and threatened immobility, stretched a half-known city where people met only by chance, losing their way forever.
The girls who found their way there, because they were legally under the control of their families until the age of eighteen, were often recaptured by the defenders of that detestable institution. They were generally confined under the guard of those creatures who among all the bad products of a bad society are the most ugly and repugnant: nuns.
What usually makes documentaries so easy to understand is the arbitrary limitation of their subject matter. They describe the atomization of social functions and the isolation of their products. One can, in contrast, envisage the entire complexity of a moment which is not resolved into a work, a moment whose movement indissolubly contains facts and values and whose meaning does not yet appear. The subject matter of the documentary would then be this confused totality.
Voice 2: The era had arrived at a level of knowledge and technical means that made possible, and increasingly necessary, a direct construction of all aspects of a liberated affective and practical existence. The appearance of these superior means of action, still unused because of the delays in the project of liquidating the commodity economy, had already condemned aesthetic activity, whose ambitions and powers were both outdated. The decay of art and of all the values of former mores had formed our sociological background. The ruling class's monopoly over the instruments we needed to control in order to realize the collective art of our time had excluded us from a cultural production officially devoted to illustrating and repeating the past. An art film on this generation can only be a film on its absence of real creations.
Everyone unthinkingly followed the paths learned once and for all, to their work and their home, to their predictable future. For them duty had already become a habit, and habit a duty. They did not see the deficiency of their city. They thought the deficiency of their life was natural. We wanted to break out of this conditioning, in quest of another use of the urban landscape, in quest of new passions. The atmosphere of a few places gave us intimations of the future powers of an architecture it would be necessary to create to be the support and framework for less mediocre games. We could expect nothing of anything we had not ourselves altered. The urban environment proclaimed the orders and tastes of the ruling society just as violently as the newspapers. It is man who makes the unity of the world, but man has extended himself everywhere. People can see nothing around them that is not their own image; everything speaks to them of themselves. Their very landscape is alive. There were obstacles everywhere. There was a cohesion in the obstacles of all types. They maintained the coherent reign of poverty. Everything being connected, it was necessary to change everything by a unitary struggle, or nothing. It was necessary to link up with the masses, but we were surrounded by sleep.
Voice 3: The dictatorship of the proletariat is a desperate struggle, bloody and bloodless, violent and peaceful, military and economic, educational and administrative, against the forces and traditions of the old world.
Voice 1: In this country it is once again the men of order who have rebelled. They have reinforced their power. They have been able to aggravate the grotesqueness of the ruling conditions according to their will. They have embellished their system with the funereal ceremonies of the past.
Voice 2: Years, like a single instant prolonged to this point, come to an end.
Voice 1: What was directly lived reappears frozen in the distance, fit into the tastes and illusions of an era, carried away with it.
Voice 2: The appearance of events that we have not made, that others have made against us, now obliges us to be aware of the passage of time, its results, the transformation of our own desires into events. What differentiates the past from the present is precisely its out-of-reach objectivity; there is no more should-be; being is so consumed that it has ceased to exist. The details are already lost in the dust of time. Who was afraid of life, afraid of the night, afraid of being taken, afraid of being kept?
Voice 3: What should be abolished continues, and we continue to wear away with it. We are engulfed. We are separated. The years pass and we haven't changed anything.
Voice 2: Once again morning in the same streets. Once again the fatigue of so many similarly passed nights. It is a walk that has lasted a long time.
Voice 1: Really hard to drink more.
Voice 2: Of course one might make a film of it. But even if such a film succeeds in being as fundamentally disconnected and unsatisfying as the reality it deals with, it will never be more than a re-creation "” poor and false like this botched traveling shot.
Voice 3: There are now people who pride themselves on being authors of films, as others were authors of novels. They are even more backward than the novelists because they are unaware of the decomposition and exhaustion of individual expression in our time, ignorant of the end of the arts of passivity. They are praised for their sincerity since they dramatize, with more personal depth, the conventions of which their life consists. There is talk of the liberation of the cinema. But what does it matter to us if one more art is liberated through which Tom, Dick or Harry can joyously express their slavish sentiments? The only interesting venture is the liberation of everyday life, not only in the perspectives of history but for us and right away. This entails the withering away of alienated forms of communication. The cinema, too, has to be destroyed.
Voice 2: In the final analysis, stars are created by the need we have for them, and not by their talent or lack of talent or even by the film industry or advertising. Miserable need, dismal, anonymous life that would like to expand itself to the dimensions of cinema life. The imaginary life on the screen is the product of this real need. The star is the projection of this need.
The images of the advertisements during the intermissions are more suited than any others for evoking an intermission of life.
To really describe this era it would no doubt be necessary to show many other things. But what would be the point?
Better to grasp the totality of what has been done and what remains to be done than to add more ruins to the old world of the spectacle and of memories.
1. This film, which evokes the lettrist experiences at the origin of the situationist movement, opens with shots of the Paris district frequented by the lettrists in the early 1950s.
主演:佟丽娅,吴昱翰,王影璐,张宥浩,黄璐,姜瑞霖,罗逸桥,谢欣华,谢春懿,傅迦,艾丽娅,荣梓杉,淳于珊珊
主演:黄晓明,闫妮,涂们,阚清子,张嘉鑫,王影璐
主演:乔纳斯·斯莫德斯,雷蒙德·提哈瑞,Minne Koole
主演:约瑟芬·兰福德,海瑟·格拉汉姆,安迪·麦克道威尔,帕特里克·法比安,德鲁·斯塔基,阿奇·雷诺,阿马利娅·尤奥,Christie Lynn Smith,奥利弗·伊莉丝·阿伯克隆比,豪尔赫·洛佩兹,马洛里·约翰逊,扎卡里·布兰奇,Elbert Kim,Maggie Thurmon,Gabriel J. Perez,Gabriella Saraivah,约翰·克劳,特蕾西·弗兰克,Dillon Belisle,Samantha Miro
主演:艾德里安娜·巴拉扎,Guillermo Villegas,布兰卡·格拉,法蒂玛·莫利纳,Jero Medina,Leonardo Alonso
主演:Giovanna Lancellotti,Bruno Montaleone,莱昂德罗·利玛,Louise D,Tuani,Micael,Camilla de Lucas
主演:刘昊然 , 约翰·库萨克 , 陈道明 , 吴彦祖 , 俞飞鸿 , 任璐遥 , 陈雨锶 , 王雨甜 , 周游 , 朱珠 , 曹翠芬 , 吴彦姝 , 许还山 , 王宝强 , 肖央 , 潘粤明 , 沙宝亮 , 周野芒 , 王龙正 , 欧阳娜娜
主演:法米克·詹森,罗斯·威廉姆斯,阿历克斯·哈赛尔,芬恩·科尔,安娜·弗莱尔
主演:安妮特·贝宁,朱迪·福斯特,瑞斯·伊凡斯,Ethan Jones Romero,洁娜·易,Johnny Solo,卢克·科斯格罗夫,卡莉·罗森博格,Anna Harriette Pittman,埃里克·米勒,艾瑞卡·赵,Garland Scott,Tisola Logan,马库斯·杨,Samantha Gordon,Mauricio Adrian,Anne Marie Kempf,Marcella Acuña Báez,Lilo Grunwald,Nadia Lorencz
主演:迈克尔·凯恩,格兰达·杰克逊,沃尔夫·卡赫勒,约翰·斯坦丁,卡莱斯·皮尔,丹妮尔·维塔利斯,劳拉·马库斯,威尔·弗莱彻,唐纳德·萨基·马凯,伊恩·克宁汉,基拉·贝尔,Daniel Hayde,Isabella Domville,Victor Oshin,乔·伯恩,Simon Darwen,Graeme Dalling,Jack Johnson,Peter Theobalds,Jeanette Maskell
主演:莱丝利·曼维尔 , 蒂姆·迈克穆兰 , 康勒斯·希尔 , 马克·加蒂斯 , 皮帕·贝内特-华纳 , Shane G. Casey , 比莉·加德斯登 , Daniel Charles Doherty , Chloe Harris , Paul Dunphy
主演:汪涵,姚晨,靳梦佳,庄宇光,戴军,瞿颖,陈行甲,杨笠,何洁,李艾,冷凇,向勇,房琪,汪梦云
主演:金泽 , 关畅
主演:刘耀元 , 范桢 , 张何昊臻 , 郑妙
主演:凤小岳,宋芸桦,金士杰,蔡嘉茵,黄冠智,钱薇真
主演:钟汉良,佘诗曼,大张伟,张纯烨,陈铭,何运晨
主演:迪丽娜尔·阿布拉 , 冯双白 , 黄豆豆 , 李德戈景 , 伊力凡·吾买尔
主演:申铉彬,文相敏
主演:林更新 , 王凯 , 戚薇 , 李承铉 , 程潇 , 吴宣仪 , 敖子逸 , 曹奂东 , 陈卓璇 , 范薇 , 黄俊捷 , 赖美云 , 李川 , 李毅 , 林墨 , 刘忻 , 蒲熠星 , 邵雨轩 , 王瑞欣 , 张大仙 , 张桐 , 赵嘉敏 , 周柯宇 , 周奇 , 周震南
主演:郑仁仙,崔始源,李泰焕,郑幼贞,徐智英
主演:丁海寅 , 庭沼玟 , 金智恩 , 尹志温
主演:金在中,陈世妍,杨惠智,李钟元,李楼妃
主演:吴楚帆,白燕,张活游
主演:詹姆斯·斯图尔特,丽·莱米克,本·戈扎那,阿瑟·奥康纳,伊芙·阿登,凯丝琳·格兰特,乔治·C·斯科特,奥森·比恩,拉斯·布朗,莫瑞·汉密尔顿,Brooks West,肯·林奇,约翰·奎尔伦,霍华德·麦克尼尔,Alexander Campbell,Ned Wever,Jimmy Conlin,Royal Beal,Joseph Kearns,James Waters,约瑟夫·N·韦尔奇,艾灵顿公爵,Irv Kupcinet
主演:中村雁治郎,京町子,若尾文子,川口浩,杉村春子,野添瞳,笠智众
主演:利诺·文图拉,桑德拉·米洛
主演:Robert Taylor,Nicole Maurey
主演:拉娜·特纳,约翰·加文,桑德拉·狄,苏珊·柯娜,罗伯特·阿尔达,丹·奥赫里奇,胡安妮塔·摩尔,卡琳·迪克尔,Terry Burnham,John Vivyan,Lee Goodman,安·鲁滨逊,特洛伊·多纳休,桑德拉·古尔德,David Tomack,乔尔·弗吕莱恩,杰克韦斯顿,比利·豪斯,Maida Severn,Than Wyenn,Mahalia Jackson,弗兰克·贝克,George Barrows,Paul Bradley,Chet Brandenburg,Teddy Buckner,Ge
主演:刘敏,邵金键,王华轶,邓书田,耿遐
主演:崔嵬,高博,孙永平,仲星火,顾也鲁,陈述,范莱,曹铎
主演:白英宽,任颐,张桂兰,吴必克,王春英,马陋夫
主演:罗莎娜·斯基亚菲诺,爱尔莎·玛蒂妮利,洛朗·特兹弗
主演:吉娜·劳洛勃丽吉达,尤·伯连纳
点播:361
点播:130
点播:1510
影视资讯2024-05-07
影视资讯2024-05-07
影视资讯2024-05-07
影视资讯2024-05-07
影视资讯2024-05-07
登录账号